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DTSTART;TZID=America/Los_Angeles:20190714T134500
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DTSTAMP:20190616T182133Z
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UID:2806-1563111900-1563118200@jennibrandontest.com
SUMMARY:CANE: Bassoon Concerto performed during the International Double Reed Society Conference
DESCRIPTION:Performance of CANE: Bassoon Concerto with Reed Quintet by the Limitless Collective during the 2019 International Double Reed Society Conference in Tampa\, Florida. \n\nTampa\, Florida\n1:45 pm\nBarness Recital\, University of South Florida\nJuly 14\, 2019 \nCo-commissioned by Dr. Christin Schillinger and\nthe Akropolis Reed Quintet \nThe first concerto of its kind\, Cane: Bassoon Concerto with Reed Quintet by Jenni Brandon\,  tells a dramatic story of one bassoon reed’s journey from its origins as raw\, organic cane\, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm\, lyrical lines\, extended techniques\, Afro-Cuban style music\, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music\, we come together to create performance. Ever changing and ever evolving\, every reed and every performance is unique\, and Cane promises to tell this story in a powerful and exciting new way. \nThere are several sections in this through-composed work\, taking us on a journey that is the life of a bassoon reed: \nI. Split: short and percussive\, like splitting cane \nII. Gouge: Rhythmic\, steady and driving. Removing and leaving… \nIII.   Shape \nIV. Profile: Mechanical\, with a little bit of mischief \nV. Form: The cane becomes a reed (Internal/external sounds of transition) \nVI. Scrape: In the style of Afro-Cuban music \nVII. Playing the reed: Swing\, sassy; thoughtful\, reflective; with reverence; the reed plays… \nPerformed by members of the Limitless Collective:\nChristin Schillinger – bassoon soloist\nLindabeth Binkley – oboe\nJana Starling – clarinet\nNicki Roman – saxophone\nElizabeth Crawford – bass clarinet\nMarybeth Minnis – bassoon \nwww.limitlesscollective.com
URL:https://jennibrandontest.com/event/cane-bassoon-concerto-performed-during-the-international-double-reed-society-conference/
LOCATION:Barnes Recital\, University of South Florida\, Tampa\, FL\, 33620\, United States
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DTSTART;TZID=America/New_York:20190720T193000
DTEND;TZID=America/New_York:20190720T210000
DTSTAMP:20190605T212433Z
CREATED:20190603T224759Z
LAST-MODIFIED:20190605T212433Z
UID:2768-1563651000-1563656400@jennibrandontest.com
SUMMARY:Jenni Brandon’s CANE Bassoon Concerto with the Akropolis Reed Quintet with Monica Ellis
DESCRIPTION:The Akropolis Quintet performs Jenni Brandon’s “Cane” featuring Monica Ellis of the Imani Winds at the Imani Winds Chamber Festival. The performance is Saturday\, July 20\, 2019 at 7:30 pm\, Mannes School of Music\, 55 W 13th Street\, New York\, NY 10011\nThe first concerto of its kind\, “Cane“ tells a dramatic story of one bassoon reed’s journey from its origins as raw\, organic cane\, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm\, lyrical lines\, extended techniques\, Afro-Cuban style music\, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music\, we come together to create performance. Ever changing and ever evolving\, every reed and every performance is unique\, and “Cane“ promises to tell this story in a powerful and exciting new way.\nThere are several sections in this through-composed work\, taking us on a journey that is the life of a bassoon reed:\no Split: short and percussive\, like splitting cane\no Gouge: Rhythmic\, steady and driving. Removing and leaving…\no Shape\no Profile: Mechanical\, with a little bit of mischief\no Form: The cane becomes a reed (Internal/external sounds of transition)\no Scrape: In the style of Afro-Cuban music\no Playing the reed: Swing\, sassy; thoughtful\, reflective; with reverence; the reed plays… \nSheet music for “Cane” will\, in the near future\, be available for purchase from Jenni Brandon Music.
URL:https://jennibrandontest.com/event/jenni-brandons-cane-bassoon-concerto-with-the-akropolis-reed-quintet-with-monica-ellis/
LOCATION:Mannes School of Music\, 55 West 13th Street\, New York\, NY\, 10011\, United States
ORGANIZER;CN="Imani Winds":MAILTO:info@imaniwindsfestival.com
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